F Minor Triad

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Both the opening movement of the “Appassionata” Sonata in F minor, Op. 57, composed 1804-05, and its finale are in sonata form, and that tonal opposition is the principal dualism of the work. But Beethoven also plays powerfully with severe contrasts of dynamics, range, and articulation, and he is a master of expressive silences.

At least eight distinct senses of the word "tonality" (and corresponding adjective, "tonal"), some mutually exclusive, have been identified ( Hyer 2001 ): [ vague ]

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